The F1 film has secured one more award after its soundtrack picked up the 2026 Award for Excellence in Sound for a Characteristic Movie from the Affiliation of Movement Image Sound (AMPS).
The F1 soundtrack was composed by Hans Zimmer and encompasses a mixture of orchestral and digital music. The album incorporates among the greatest present artists, together with Ed Sheeran with the monitor Drive, Rosé with Messy, and Chris Stapleton with Dangerous As I Used To Be.
“What’s nice a couple of race film is the sound, and we’ll have phenomenal sound for this film. We will put you within the automotive with this contemporary and emotional rating, and also you’re gonna really feel it,” producer Jerry Bruckheimer mentioned in a video shared by Apple.
“You needed to have Hans Zimmer concerned on this. He’s clearly one of many best.”
He added: “The sounds of the vehicles, it is like music to folks and Hans captured it with the rating. He captured the way you mix and also you hear the music, but you hear the roar of the automotive.”
Gwendolyn Yates Whittle, who was a part of the F1 sound workforce, commented: “We’re so grateful to Joe Kosinski, our filmmakers and the artists at Skywalker Sound for unparalleled help by means of each pitstop and over each end line.
“To be recognised by our friends at such a excessive degree for our work on F1 is a humbling privilege. Thanks to AMPS – I really feel honoured to obtain an award from my fellow friends.”
George Russell, Mercedes-AMG F1 Crew, Brad Pitt and Javier Bardem movie a scene for the F1 film on the rostrum
Picture by: Sam Bagnall / Motorsport Photographs
AMPS chair George Foulgham added: “F1 is the worthy winner of this 12 months’s AMPS Movie Sound Award. The meticulous and exhaustive manufacturing sound recording, coupled with the detailed engineering of the unbelievable sound design, combined with the driving power of Hans Zimmer’s rating, creates a cinematic expertise that takes the viewers on a sonic trip they gained’t overlook.
“AMPS is honoured to recognise the work of Gareth John AMPS, Sprint Mason-Malik AMPS, Al Nelson, Gwendolyn Yates Whittle, Juan Peralta, Gary A Rizzo and their sound groups.”
AMPS vice-chair Kate Davis additionally commented: “I used to be blown away by the F1 soundtrack. The sound work delivers a rare stability of pleasure, emotion and realism, capturing the depth of the game whereas by no means dropping sight of the human story. It’s an immersive expertise that held me from begin to end.”
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